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(after) Gendall, John

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Mrs Palmers Villa - (after) Gendall, John
Mrs Palmers Villa - (after) Gendall, John

Principal front of Chiswick House - (after) Gendall, John
Principal front of Chiswick House - (after) Gendall, John

Kew Palace as seen from Brentford - (after) Gendall, John
Kew Palace as seen from Brentford - (after) Gendall, John

Quillebeuf from Views on the Seine - (after) Gendall, John
Quillebeuf from Views on the Seine - (after) Gendall, John

Notre Dame from Views on the Seine - (after) Gendall, John
Notre Dame from Views on the Seine - (after) Gendall, John

The New Lodge Richmond Park - (after) Gendall, John
The New Lodge Richmond Park - (after) Gendall, John

Triel from Views on the Seine - (after) Gendall, John
Triel from Views on the Seine - (after) Gendall, John

Sion house from R Ackermanns 1764-1834 - (after) Gendall, John
Sion house from R Ackermanns 1764-1834 - (after) Gendall, John

Stoke Place - (after) Gendall, John
Stoke Place - (after) Gendall, John

Mount Edgecumbe from Ackermanns Repository of Arts - (after) Gendall, John
Mount Edgecumbe from Ackermanns Repository of Arts - (after) Gendall, John

Southwark Iron Bridge as seen from Bankside - (after) Gendall, John
Southwark Iron Bridge as seen from Bankside - (after) Gendall, John

St Leonards Hill - (after) Gendall, John
St Leonards Hill - (after) Gendall, John

Garden front of Chiswick House - (after) Gendall, John
Garden front of Chiswick House - (after) Gendall, John

La Roche from Views on the Seine - (after) Gendall, John
La Roche from Views on the Seine - (after) Gendall, John

Eaton Hall Entrance Front - (after) Gendall, John
Eaton Hall Entrance Front - (after) Gendall, John

Elbeuf from Views on the Seine - (after) Gendall, John
Elbeuf from Views on the Seine - (after) Gendall, John

View of Honfleur from Views on the Seine - (after) Gendall, John
View of Honfleur from Views on the Seine - (after) Gendall, John

View of Rouen from Views on the Seine - (after) Gendall, John
View of Rouen from Views on the Seine - (after) Gendall, John

Cranburn Lodge - (after) Gendall, John
Cranburn Lodge - (after) Gendall, John

Norris from Ackermanns Repository of Arts - (after) Gendall, John
Norris from Ackermanns Repository of Arts - (after) Gendall, John

St Margarets Twickenham 2 - (after) Gendall, John
St Margarets Twickenham 2 - (after) Gendall, John

St Germain from Views on the Seine - (after) Gendall, John
St Germain from Views on the Seine - (after) Gendall, John

Vue de la Tour de London, Himely - (after) Gendall, John
Vue de la Tour de London, Himely - (after) Gendall, John

Sophia Lodge - (after) Gendall, John
Sophia Lodge - (after) Gendall, John

The Vine from the lake from Ackermanns Repository of Arts - (after) Gendall, John
The Vine from the lake from Ackermanns Repository of Arts - (after) Gendall, John



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Previous & Next Artists

(after) Gavin Hamilton
(after) Gavin Hamilton
(after) Geertruyd Roghman
(after) Geertruyd Roghman
(after) Geffroy, Edmond A.F.
(after) Geffroy, Edmond A.F.
(after) Gell, Sir William
(after) Gell, Sir William
(after) (Giovanni Antonio Canal) Canaletto
(after) (Giovanni Antonio Canal) Canaletto
(after) (Giovanni Antonio De' Sacchis) Pordenone
(after) (Giovanni Antonio De' Sacchis) Pordenone
(after) (Jacopo Carucci) Pontormo
(after) (Jacopo Carucci) Pontormo
(after) (Jacopo Chimenti) Empoli
(after) (Jacopo Chimenti) Empoli
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Paintings of the day

A hurdy-gurdy player with children at a cottage door - Adriaen Jansz. Van Ostade
A hurdy-gurdy player with children at a cottage door - Adriaen Jansz. Van Ostade
The Lamentation - (after) Jacob De Backer
The Lamentation - (after) Jacob De Backer
Triptych of Jan Floreins [detail: 1, central panel] - Hans Memling
Triptych of Jan Floreins [detail: 1, central panel] - Hans Memling
He meditated a mighty draft one hand was fumbling with his tags, while the other was extended in the act of grasping the Jorum, illustration from The Ingoldsby Legends, or Mirth and Marvels, published 1898 - Arthur Rackham
He meditated a mighty draft one hand was fumbling with his tags, while the other was extended in the act of grasping the Jorum, illustration from The Ingoldsby Legends, or Mirth and Marvels, published 1898 - Arthur Rackham
Portrait of Robert Burns 1759-96 1795-96 - Alexander Reid
Portrait of Robert Burns 1759-96 1795-96 - Alexander Reid
View Of Venice - Ainslie H. Bean
View Of Venice - Ainslie H. Bean
Portrait of an artist in his studio - Gerrit Dou
Portrait of an artist in his studio - Gerrit Dou
Christ on the Cross between St John and St Francis - Gerard David
Christ on the Cross between St John and St Francis - Gerard David
Portrait Of Sir Robert King, Bt., Of Boyle Abbey, County Roscommon (C.1625-1708) - Johann Closterman (after)
Portrait Of Sir Robert King, Bt., Of Boyle Abbey, County Roscommon (C.1625-1708) - Johann Closterman (after)
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Art News

Call for Artists: Paris/Berlin International Meetings - roARatorio, Paris FR France
Call for Artists: Residencies Available in South India - Art Residencies India, London UK United Kingdom
Call for Artist: Seeking New Studio Artists - Binney and Smith Gallery, Banana Factory, Bethlehem, PA, USA United States of America
Infinity Project - Josh Simpson Contemporary Glass, Shelburne, MA, USA United States of America
The Shape of Colour: Works by Patrick Heron - Richard Green, London UK United Kingdom
Under Pressure: Air Pressure in All Its Forces - Museum of Contemporary Art, Tuscon, Tucson, AZ, USA
Call for Artists: Residencies Project - Aberystwyth Arts Centre, Aberystwyth UK United Kingdom
Foerg: Deutsche Bank Collection - Guggenheim, Berlin DE Germany
Mary Henry: No Limits - Walk into the Artist's World of Geometric Abstraction - Bellevue Art Museum, Bellevue, WA, USA United States of America
Call to Artists: LIFE 6.0 International Competition - Foundacion Telefonica, Madrid ES Spain
Thomas Eakins: American Realist - Philadelphia Museum of Art, Philadelphia, PA, USA

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