A Seated Male Nude, His Legs Crossed - Vincenzo Dandini
 

The Triumph Of Bacchus - (after) Simon De Vos
 

Bears Attribution Cigoli - Spanish School
 

Riding the tiger - Joseph Clark
 

Study Of A Male Nude, Seated, Resting His Chin On His Left Hand - Baldassarre Franceschini
 

The Musical Dual Of Pan And Apollo - Laurits Regner Tuxen
 

Hylas and the Naiads - (after) Adriaen Van Der Werff
 

The Judgement Of Paris - Dutch School
 

An allegory of Music, with putti playing music an overdoor - (after) Domenico Piola
 

Study Of A Figure On A Cross - G. Andrea Ansaldo
 

Les amants - Roger de la Fresnaye
 

Venus and Adonis 4 - (after) Francesco Albani
 

Study of a nude in profile to the right, with a subsidiary study of the same and of the leg - Bartolomeo Passarotti
 

A Nude seated on a Rock - Giovanni Battista (Baciccio) Gaulli
 

The Brazen Serpent - (attr. to) Floris, Frans
 

Venus and Adonis 3 - (after) Francesco Albani
 

Apollo and Pan - (after) Francesco Primaticcio
 

Hommo bulla est, a vanitas still-life with a boy - (after) Jurgen Ovens
 

The Forge Of Vulcan - Netherlandish School
 

Mythological Scene - Dutch School
 

Diana - English School
 

Putti playing with fruit by an upturned urn of flowers - Maximilian Pfeiler
 

A Seated Hercules - Giuseppe Maria Crespi
 

An Allegory Of The Seasons, With Spring And Summer Before An Enthroned Ruler - Dutch School
 

The Fall Of The Damned - German School
 

A woman addressing a seated nude in a classical landscape - Catherina Da Costa
 

Il Banchetto Degli Dei - Italian School
 

Sleeping Cupid In A Landscape With Classical Ruins - (after) Jan Van Scorel
 

Study Of A Male Torso, Seen From Behind - (after) Daniele Da Volterra
 

Putti In A Landscape - (after) Giovanni Andrea Podesta
 

Anime Purganti - (after) Giovanni Battista Crespi (Cerano II
 

Reclining Nude, Turned To The Right - Central Italian School
 

A nude seen from behind holding a staff - A. Lebrun
 

The Conversion of Saint Paul Design for a lunette - Guillaume Courtois
 

The Triumph of Galatea 2 - (after) Francesco Albani
 

Studies Of Male Nudes For A Bathing Scene - Simone Cantarini (Pesarese)
 

Adam And Eve With God The Father Behind - Roman School
 

Herdsmen bathing in a Stream with Cattle grazing on a Bank nearby - (after) Albert Klomp
 

A Standing Male Figure, Seen From Behind, Clutching A Stone In His Right Hand - Pier Francesco Mola
 

The Last Judgement - (after) Frans II Francken
 

A standing nude leaning on a stick - (after) Jean-Baptiste Deshays
 

A seated nude, seen from behind - (after) Anton Domenico Gabbiani
 

Nettuno - Raymond Lafage
 

Three studies for a shepherd playing - (after) Bartolomeo Pinelli
 

A nude, half-length, pointing down to the right - Neapolitan School
 

A reclining nude holding an urn, with subsidiary studies of his head, torso and legs - (after) Henri (Karl Ernest Rudolf Heinrich Salem) Lehmann
 

Figure Di Dannati Da Michelangelo - (attr. to) Clovio, Giorgio Giulio
 

The Apollo Citharoedos - (after) Bartolomeo Neroni
 

A bearded nude seated on a rock in profile to the right - Giovanni Battista (Baciccio) Gaulli
 

A Standing Male Nude, One Foot On A Turtle - Milanese School
 

Studi Di Putti E Di Teste - (after) Perino Del Vaga (Pietro Bonaccors)
 

Studies of four putti - Italo-Flemish School
 

A Theatrical Mask And A Young Archer - Ecole Francaise, Xixeme Siecle
 

Figure D'Homme Nu Debout - Enea Salmeggia (Il Talpino)
 

Seated Male Nude Seen From Behind - (after) Cristoforo Pomarancio (Roncalli)
 

Creation Adam and the Original Sin - Roman School
 

Last Judgment (detail) - Roman School
 

The Kiss 1859 - Francesco Paolo Hayez

Girls Bathing 1520-23 - Bernardino Luini

Fishmongers 1580s - Vincenzo Campi

Madonna and Child with St John the Baptist and St John the Evangelist 1485 - Vincenzo Foppa

Head of Christ - Leonardo Da Vinci

Woman Playing A Lute 1520 - Bartolomeo Veneto

St Roche Among The Plague Victims And The Madonna In Glory 1575 - Jacopo Bassano (Jacopo da Ponte)

Still Life of Fruit and Nuts - Giacomo Ceruti (Il Pitocchetto)

Man-at-Arms c. 1481 - Donato Bramante