The Inferno, Canto 18, lines 130-132: Thais is this, the harlot, whose false lip Answerd her doting paramour that askd, Thankest me much! -
Gustave Dore
The Inferno, Canto 19, lines 10-11: There stood I like the friar, that doth shrive A wretch for murder doomd -
Gustave Dore
The Inferno, Canto 21, lines 50-51: This said, They grappled him with more than hundred hooks -
Gustave Dore
The Inferno, Canto 22, line 70: In pursuit He therefore sped, exclaiming; Thou art caught. -
Gustave Dore
The Inferno, Canto 22, lines 137-139: But the other provd A goshawk able to rend well his foe; And in the boiling lake both fell. -
Gustave Dore
The Inferno, Canto 23, lines 52-54: Scarcely had his feet Reachd to the lowest of the bed beneath, When over us the steep they reachd -
Gustave Dore
The Inferno, Canto 23, lines 92-94: Tuscan, who visitest The college of the mourning hypocrites, Disdain not to instruct us who thou art. -
Gustave Dore
The Inferno, Canto 24, lines 89-92: Amid this dread exuberance of woe Ran naked spirits wingd with horrid fear, Nor hope had they of crevice where to hide, Or heliotrope to charm them out of view. -
Gustave Dore
The Inferno, Canto 25, lines 59-61: The other two Lookd on exclaiming: Ah, how dost thou change, Agnello! -
Gustave Dore
A Standing Male Figure, Seen From Behind, Clutching A Stone In His Right Hand - Pier Francesco Mola
The Fall of Adam and Eve - (after) Holbein the Younger, Hans
Three Children With Fruit And A Jaguar - Gerrit Van Honthorst
The Death of Adam, detail of Adam and his Children - Piero della Francesca
The Slave trade - Theodore Gericault
The Last Judgment c. 1435 - Stefan Lochner
Untitled - Francesco de' Rossi (see Salviati, Cecchino del)
The Wedding of Bacchus and Ariane - Hendrik van Balen, I
Study Of A Twisting Male Nude - Domenico Tintoretto (Robusti)