From WikiGallery

Jump to: navigation, search
Share:        Link to this page
Jump to: navigation, search

The Inferno, Canto 25, lines 59-61: The other two Look’d on exclaiming: “Ah, how dost thou change, Agnello!”

by Gustave Dore

The Inferno, Canto 25, lines 59-61: The other two Look’d on exclaiming: “Ah, how dost thou change, Agnello!” - Gustave Dore
[locked]

Information

Description
English: "The Inferno, Canto 25, lines 59-61: The other two Look’d on exclaiming: “Ah, how dost thou change, Agnello!”" oil on Canvas, location: Private collection.
Source

http://www.wikigallery.org/

Author

Gustave Dore

Download

Click here to download image

Location

Private collection

Permission

Free for non commercial use. See below. Click here to report copyright issues.

Like it

[locked]

Licensing

Public domain This image (or other media file) is in the public domain because its copyright has expired. However - you may not use this image for commercial purposes and you may not alter the image or remove the WikiGallery watermark.

This applies to the United States, Canada, the European Union and those countries with a copyright term of life of the author plus 70 years.


Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. Côte d'Ivoire has a general copyright term of 99 years and Honduras has 75 years, but they do implement that rule of the shorter term.


[locked]

Rate this Painting

NOT RATED YET
Click on the stars
to rate this painting


[locked]

Next Paintings

The Inferno, Canto 26, lines 46-49: The guide, who mark’d How I did gaze attentive, thus began: “Within these ardours are the spirits, each Swath’d in confining fire.” - Gustave Dore
The Inferno, Canto 26, lines 46-49: The guide, who mark’d How I did gaze attentive, thus began: “Within these ardours are the spirits, each Swath’d in confining fire.” - Gustave Dore
The Inferno, Canto 28, lines 116-119: By the hair It bore the sever’d member, lantern-wise Pendent in hand, which look’d at us and said, “Woe’s me!” - Gustave Dore
The Inferno, Canto 28, lines 116-119: By the hair It bore the sever’d member, lantern-wise Pendent in hand, which look’d at us and said, “Woe’s me!” - Gustave Dore
The Inferno, Canto 28, lines 30,31: Now mark how I do rip me: lo! How is Mahomet mangled. - Gustave Dore
The Inferno, Canto 28, lines 30,31: Now mark how I do rip me: lo! How is Mahomet mangled. - Gustave Dore
The Inferno, Canto 28, lines 69-72: call thou to mind Piero of Medicina, if again Returning, thou behold’st the pleasant land That from Vercelli slopes to Mercabo - Gustave Dore
The Inferno, Canto 28, lines 69-72: call thou to mind Piero of Medicina, if again Returning, thou behold’st the pleasant land That from Vercelli slopes to Mercabo - Gustave Dore
The Inferno, Canto 29, lines 4-6: But Virgil rous’d me: “What yet gazest on? Wherefore doth fasten yet thy sight below Among the maim’d and miserable shades? - Gustave Dore
The Inferno, Canto 29, lines 4-6: But Virgil rous’d me: “What yet gazest on? Wherefore doth fasten yet thy sight below Among the maim’d and miserable shades? - Gustave Dore
The Inferno, Canto 29, lines 52-56: Then my sight Was livelier to explore the depth, wherein The minister of the most mighty Lord, All-searching Justice, dooms to punishment The forgers noted on her dread record. - Gustave Dore
The Inferno, Canto 29, lines 52-56: Then my sight Was livelier to explore the depth, wherein The minister of the most mighty Lord, All-searching Justice, dooms to punishment The forgers noted on her dread record. - Gustave Dore
The Inferno, Canto 29, lines 79-81: The crust Came drawn from underneath in flakes, like scales Scrap’d from the bream or fish of broader mail. - Gustave Dore
The Inferno, Canto 29, lines 79-81: The crust Came drawn from underneath in flakes, like scales Scrap’d from the bream or fish of broader mail. - Gustave Dore
The Inferno, Canto 30, lines 33-34: “That sprite of air is Schicchi; in like mood Of random mischief vent he still his spite.” - Gustave Dore
The Inferno, Canto 30, lines 33-34: “That sprite of air is Schicchi; in like mood Of random mischief vent he still his spite.” - Gustave Dore
The Inferno, Canto 30, lines 38-39: “ That is the ancient soul Of wretched Myrrha,” - Gustave Dore
The Inferno, Canto 30, lines 38-39: “ That is the ancient soul Of wretched Myrrha,” - Gustave Dore
[locked]

Related Paintings

A classical landscape with wildfowl - Johannes Bronkhorst
A classical landscape with wildfowl - Johannes Bronkhorst
Feeding Donkey - Myles Birket Foster
Feeding Donkey - Myles Birket Foster
Noahs Ark 2 - Hans III Jordaens
Noahs Ark 2 - Hans III Jordaens
Untitled - Frederick Stuart Church
Untitled - Frederick Stuart Church
A pike coming to the gaff - A. Roland Knight
A pike coming to the gaff - A. Roland Knight
Allegory of the Scuola di San Marco 2 - Jacopo Tintoretto (Robusti)
Allegory of the Scuola di San Marco 2 - Jacopo Tintoretto (Robusti)
Hounds attacking a bull - (after) Philipp Peter Roos
Hounds attacking a bull - (after) Philipp Peter Roos
Tygers at Play, engraved by the artist, pub. 1789 - George Stubbs
Tygers at Play, engraved by the artist, pub. 1789 - George Stubbs
Before The Monkey Duel - Edmund Bristow
Before The Monkey Duel - Edmund Bristow