From WikiGallery

Jump to: navigation, search
Share:        Link to this page
Jump to: navigation, search

Thais is this, the harlot (Canto XVIII., line 130)

by Gustave Dore

Thais is this, the harlot (Canto XVIII., line 130) - Gustave Dore
[locked]

Information

Description
English: "Thais is this, the harlot (Canto XVIII., line 130)" oil on Canvas.
Source

http://www.wikigallery.org/

Author

Gustave Dore

Download

Click here to download image

Permission

Free for non commercial use. See below. Click here to report copyright issues.

Like it

[locked]

Licensing

Public domain This image (or other media file) is in the public domain because its copyright has expired. However - you may not use this image for commercial purposes and you may not alter the image or remove the WikiGallery watermark.

This applies to the United States, Canada, the European Union and those countries with a copyright term of life of the author plus 70 years.


Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. Côte d'Ivoire has a general copyright term of 99 years and Honduras has 75 years, but they do implement that rule of the shorter term.


[locked]

Rate this Painting

NOT RATED YET
Click on the stars
to rate this painting


[locked]

Next Paintings

That on white forehead set a pearl as strong (Canto III., line 14) - Gustave Dore
That on white forehead set a pearl as strong (Canto III., line 14) - Gustave Dore
The Agony In The Garden - Gustave Dore
The Agony In The Garden - Gustave Dore
The Angel At The Sepulcher - Gustave Dore
The Angel At The Sepulcher - Gustave Dore
The arch-heretics are here, (Canto IX., line 125) - Gustave Dore
The arch-heretics are here, (Canto IX., line 125) - Gustave Dore
The Betrayal - Gustave Dore
The Betrayal - Gustave Dore
The Burial Of Jesus - Gustave Dore
The Burial Of Jesus - Gustave Dore
The Cedars Destined For The Temple - Gustave Dore
The Cedars Destined For The Temple - Gustave Dore
The Christian Martyrs - Gustave Dore
The Christian Martyrs - Gustave Dore
The crust Came drawn from underneath in flakes (Canto XXIX., lines 79-80) - Gustave Dore
The crust Came drawn from underneath in flakes (Canto XXIX., lines 79-80) - Gustave Dore
[locked]

Related Paintings

A peasant with a brown hat - (after) David The Younger Teniers
A peasant with a brown hat - (after) David The Younger Teniers
Ascension 1913 - Janos Kmetty
Ascension 1913 - Janos Kmetty
Water [detail:6] - Lambert-Sigisbert Adam
Water [detail:6] - Lambert-Sigisbert Adam
The Miracle of the Fresco of Santissima Annunziata, Florence, c.1600-12 - Bernardino Barbatelli Poccetti
The Miracle of the Fresco of Santissima Annunziata, Florence, c.1600-12 - Bernardino Barbatelli Poccetti
Drovers with cattle before an archway leading to a mansion - Michel Carree
Drovers with cattle before an archway leading to a mansion - Michel Carree
Portrait of a young man - (Jacopo Carucci) Pontormo
Portrait of a young man - (Jacopo Carucci) Pontormo
Portrait of John Tyler (1790-1862) 2 - Alonzo Chappel
Portrait of John Tyler (1790-1862) 2 - Alonzo Chappel
The Entombment Of Christ 1657 - Guercino
The Entombment Of Christ 1657 - Guercino
Tomas de Iriarte 1750-91 - Joaquin Inza
Tomas de Iriarte 1750-91 - Joaquin Inza