The forgers noted on her dread record. (Canto XXIX., line 56) -
Gustave Dore
The heav'nly steersman at the prow was seen, (Canto II., line 45) -
Gustave Dore
The Inferno, Canto 10, lines 40-42: He, soon as there I stood at the tombs foot, Eyd me a space, then in disdainful mood Addressd me: Say, what ancestors were thine? -
Gustave Dore
The Inferno, Canto 11, lines 6-7: From the profound abyss, behind the lid Of a great monument we stood retird -
Gustave Dore
The Survivors - M. Briansky
'The Nubian Barber Plies His Simple Trade When Egypt's Haughty Kings Insplendour Reigned' - William Strutt
Self Portrait - Vera Rockline
A shepherdess in a landscape - Francesco Fernandi (Imperiali)
View of Edinburgh from Corstorphine Hill - Alexander Nasmyth
An Allegory With An Old Lady Spinning Flanked By Two Male Peasants - Cremonese School
A River Landscape With A Figure Near A Fence And Fishermen Unloading The Catch, A Ruin In The Background - Dionys Verburgh
Portrait of Children, c. 1897 - Theo van Rysselberghe
Skaters On A Frozen Waterway, A Village In The Distance - Andreas Schelfhout