From WikiGallery

Jump to: navigation, search
Share:        Link to this page
Jump to: navigation, search

The Flight Into Egypt

by Gustave Dore

The Flight Into Egypt - Gustave Dore
[locked]

Information

Description
English: "The Flight Into Egypt" oil on Canvas.
Source

http://www.wikigallery.org/

Author

Gustave Dore

Download

Click here to download image

Permission

Free for non commercial use. See below. Click here to report copyright issues.

Like it

[locked]

Licensing

Public domain This image (or other media file) is in the public domain because its copyright has expired. However - you may not use this image for commercial purposes and you may not alter the image or remove the WikiGallery watermark.

This applies to the United States, Canada, the European Union and those countries with a copyright term of life of the author plus 70 years.


Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. Côte d'Ivoire has a general copyright term of 99 years and Honduras has 75 years, but they do implement that rule of the shorter term.


[locked]

Rate this Painting

NOT RATED YET
Click on the stars
to rate this painting


[locked]

Next Paintings

The forgers noted on her dread record. (Canto XXIX., line 56) - Gustave Dore
The forgers noted on her dread record. (Canto XXIX., line 56) - Gustave Dore
The Good Samaritan - Gustave Dore
The Good Samaritan - Gustave Dore
The heav'nly steersman at the prow was seen, (Canto II., line 45) - Gustave Dore
The heav'nly steersman at the prow was seen, (Canto II., line 45) - Gustave Dore
The Inferno, Canto 10, lines 40-42: He, soon as there I stood at the tomb’s foot, Ey’d me a space, then in disdainful mood Address’d me: “Say, what ancestors were thine?” - Gustave Dore
The Inferno, Canto 10, lines 40-42: He, soon as there I stood at the tomb’s foot, Ey’d me a space, then in disdainful mood Address’d me: “Say, what ancestors were thine?” - Gustave Dore
The Inferno, Canto 11, lines 6-7: From the profound abyss, behind the lid Of a great monument we stood retir’d - Gustave Dore
The Inferno, Canto 11, lines 6-7: From the profound abyss, behind the lid Of a great monument we stood retir’d - Gustave Dore
The Inferno, Canto 12, lines 11-14: and there At point of the disparted ridge lay stretch’d The infamy of Crete, detested brood Of the feign’d heifer - Gustave Dore
The Inferno, Canto 12, lines 11-14: and there At point of the disparted ridge lay stretch’d The infamy of Crete, detested brood Of the feign’d heifer - Gustave Dore
The Inferno, Canto 12, lines 38-39: One cried from far: “Say to what pain ye come Condemn’d, who down this steep have journied?” - Gustave Dore
The Inferno, Canto 12, lines 38-39: One cried from far: “Say to what pain ye come Condemn’d, who down this steep have journied?” - Gustave Dore
The Inferno, Canto 12, lines 73-74: We to those beasts, that rapid strode along, Drew near - Gustave Dore
The Inferno, Canto 12, lines 73-74: We to those beasts, that rapid strode along, Drew near - Gustave Dore
The Inferno, Canto 13, line 120: “Haste now,” the foremost cried, “now haste thee death!” - Gustave Dore
The Inferno, Canto 13, line 120: “Haste now,” the foremost cried, “now haste thee death!” - Gustave Dore
[locked]

Related Paintings

View of Dresden, the Neumarkt the street from Moritz, Detail - Bernardo Bellotto (Canaletto)
View of Dresden, the Neumarkt the street from Moritz, Detail - Bernardo Bellotto (Canaletto)
Adam and Eve 2 - Hans Baldung Grien
Adam and Eve 2 - Hans Baldung Grien
A Bay Hunter In A Loose Box 2 - John Frederick Herring Snr
A Bay Hunter In A Loose Box 2 - John Frederick Herring Snr
The Widow - Alexander Snr Fraser
The Widow - Alexander Snr Fraser
St Jerome 1507 12 - Giovanni Francesco Caroto
St Jerome 1507 12 - Giovanni Francesco Caroto
The Marriage Portrait of Richard Burton 1821-90 and Isabel Arundell 1831-96 - Louis Lesanges
The Marriage Portrait of Richard Burton 1821-90 and Isabel Arundell 1831-96 - Louis Lesanges
Model boats from the India section of the Great Exhibition of 1851 - Peter Mabuse
Model boats from the India section of the Great Exhibition of 1851 - Peter Mabuse
Summer Day at Grand Manan - Alfred Thompson Bricher
Summer Day at Grand Manan - Alfred Thompson Bricher
A Scotch Poney - James Gillray
A Scotch Poney - James Gillray