From WikiGallery

Jump to: navigation, search
Share:        Link to this page
Jump to: navigation, search

Then heard I echoing on from choir to choir, (Canto XXVII., line 86)

by Gustave Dore

Then heard I echoing on from choir to choir, (Canto XXVII., line 86) - Gustave Dore
[locked]

Information

Description
English: "Then heard I echoing on from choir to choir, (Canto XXVII., line 86)" oil on Canvas.
Source

http://www.wikigallery.org/

Author

Gustave Dore

Download

Click here to download image

Permission

Free for non commercial use. See below. Click here to report copyright issues.

Like it

[locked]

Licensing

Public domain This image (or other media file) is in the public domain because its copyright has expired. However - you may not use this image for commercial purposes and you may not alter the image or remove the WikiGallery watermark.

This applies to the United States, Canada, the European Union and those countries with a copyright term of life of the author plus 70 years.


Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. Côte d'Ivoire has a general copyright term of 99 years and Honduras has 75 years, but they do implement that rule of the shorter term.


[locked]

Rate this Painting

NOT RATED YET
Click on the stars
to rate this painting


[locked]

Next Paintings

Then, fasting got The mastery of grief. (Canto XXXIII., lines 73-74) - Gustave Dore
Then, fasting got The mastery of grief. (Canto XXXIII., lines 73-74) - Gustave Dore
Then, not to make them sadder, I kep down My spirit in stillness. (Canto XXXIII., lines 62-63) - Gustave Dore
Then, not to make them sadder, I kep down My spirit in stillness. (Canto XXXIII., lines 62-63) - Gustave Dore
Then, upon the velvet sinking, I betook myself to linking Fancy unto fancy. - Gustave Dore
Then, upon the velvet sinking, I betook myself to linking Fancy unto fancy. - Gustave Dore
Thence issuing we again beheld the stars. (Canto XXXIV., line 133) - Gustave Dore
Thence issuing we again beheld the stars. (Canto XXXIV., line 133) - Gustave Dore
There I with little innocents abide, (Canto VII., line 31) - Gustave Dore
There I with little innocents abide, (Canto VII., line 31) - Gustave Dore
There stood I like the friar, (Canto XIX., line 10) - Gustave Dore
There stood I like the friar, (Canto XIX., line 10) - Gustave Dore
They grappled him with more than hundred hooks. (Canto XXI., line 51) - Gustave Dore
They grappled him with more than hundred hooks. (Canto XXI., line 51) - Gustave Dore
Three nymphs (Canto XXIX., line 126) - Gustave Dore
Three nymphs (Canto XXIX., line 126) - Gustave Dore
to return To the fair world. (Canto XXXIV., lines 128-129) - Gustave Dore
to return To the fair world. (Canto XXXIV., lines 128-129) - Gustave Dore
[locked]

Related Paintings

A Peasantwoman Leading A Cow On A Country Road - Jan Frederik Van Deventer
A Peasantwoman Leading A Cow On A Country Road - Jan Frederik Van Deventer
Untitled 3 - Jean-baptiste Deshays
Untitled 3 - Jean-baptiste Deshays
Portrait of Josephus Hermanus Verhulst (1816-91) - (after) Berg, Jacobus Everardus Josephus van den
Portrait of Josephus Hermanus Verhulst (1816-91) - (after) Berg, Jacobus Everardus Josephus van den
A wooded landscape with women by a waterfall - (after) Jean-Francois Millet
A wooded landscape with women by a waterfall - (after) Jean-Francois Millet
A Barn Interior With A Kitchen Still Life Together With A Goat And A Sheep - Francois Ryckhals
A Barn Interior With A Kitchen Still Life Together With A Goat And A Sheep - Francois Ryckhals
Death of the Virgin - Bartolome Bermejo
Death of the Virgin - Bartolome Bermejo
Runaway Match - William Holbrook Beard
Runaway Match - William Holbrook Beard
A view of the Hoofdtoren, Hoorn - Willem Bastiaan Tholen
A view of the Hoofdtoren, Hoorn - Willem Bastiaan Tholen
Peniches amarees front of trees and bridge - Maximilien Luce
Peniches amarees front of trees and bridge - Maximilien Luce