The Rustic Banquet celebrating the marriage of Cupid and Psyche, detail depicting river gods and goddesses, east wall, from the Sala di Amore e Psiche, 1528 -
Giulio Romano (Orbetto)
Scene showing that those born under the sign of Aquarius in conjunction with the constellation of Aquila are imparted with warlike virtues, symbolised by a scene of triumph, from the Camera dei Venti, 1528 -
Giulio Romano (Orbetto)
Sala dei Giganti, detail of the destruction of the giants by Jupiters thunderbolts, 1536 2 -
Giulio Romano (Orbetto)
Psyche eating in the house of Cupid, ceiling caisson from the Sala di Amore e Psyche, 1528 -
Giulio Romano (Orbetto)
Scene showing that those born under the sign of Aries in conjunction with the constellation of the Goat are imparted with an aptitude for playing the zampogna and an inclination to amorous passions, symbolised by the musician and the pastoral dance, from -
Giulio Romano (Orbetto)
Scene showing that those born under the sign of Sagittarius in conjunction with the setting constellation of Arcturus will be led to commit grave crimes, symbolised by shackled prisoners, from the Camera dei Venti, 1528 -
Giulio Romano (Orbetto)
Frieze from the Camera con Fregio di Amorini Chamber of the Cupid Frieze detail of an angel surrounded by cupids eating fruit, 1520s -
Giulio Romano (Orbetto)
Anthropomorphic figure of a river as an old man with a flowing white beard, in the background Psyche engaged in her ordeal set by Venus of stealing wool from a sheep's fleece, lunette and spandrel from the Sala di Amore e Psiche, 1528 -
Giulio Romano (Orbetto)
Sala dei Giganti, detail of the destruction of the giants by Jupiters thunderbolts, 1536 5 -
Giulio Romano (Orbetto)
Psyche, undergoing one of the ordeals set her by Venus, lunette from the Sala di Amore e Psiche, 1528 -
Giulio Romano (Orbetto)
Frieze from the Camera con Fregio di Amorini Chamber of the Cupid Frieze detail of wrestling cupids, 1520s -
Giulio Romano (Orbetto)
Lower End of the Valley showing the Acropolis, Petra, March 9th 1839, plate 102 from Volume III of The Holy Land, engraved by Louis Haghe 1806-85 pub. 1849 -
David Roberts
Call for Artists: Paris/Berlin International Meetings - roARatorio, Paris FR France
Call for Artists: Residencies Available in South India - Art Residencies India, London UK United Kingdom
Call for Artist: Seeking New Studio Artists - Binney and Smith Gallery, Banana Factory, Bethlehem, PA, USA United States of America
Australia's Richest Natural History Art Prize - South Australian Museum, Adelaide, SA, AU Australia
Light: The Industrial Age 1750-1900, Art and Science, Technology and Society - Carnegie Museum of Art, Pittsburgh, PA, USA
Avant-gardism fo Children - Monash University Gallery, Clayton AU Australia
Humanizing Landscapes: Geography, Culture and the Magoon Collection - Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, NY, USA United States of America
Fiber Arts Network Juried Exhibition - Urban Institute for Contemporary Arts, Grand Rapids, MI, USA United States of America
Belles Lettres: The Art of Typography - San Francisco Museum of Modern Art, San Francisco, CA, USA
God and my Right - logo series: Juliet Lea and Cube - Cold Comfort: Waratah Lahy - Canberra Contemporary Art Space, Braddon, AC, AU
16th Annual Exhibition to be Held at the Seventh Regiment Armory - American Art Dealers Association (ADAA), New York, NY, USA United States of America
