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Gustave Dore

Displaying Page 10 of 12  First Prev  2  3  4  5  6  7  8  9  10  11  12  Next Last  287 paintings



Only so far afflicted, that we life Desiring without hope. (Canto IV., lines 38-39) - Gustave Dore
Only so far afflicted, that we life Desiring without hope. (Canto IV., lines 38-39) - Gustave Dore

Wandering from the Nightly shore. - Gustave Dore
Wandering from the Nightly shore. - Gustave Dore

Eagerly I wished the morrow; - Gustave Dore
Eagerly I wished the morrow; - Gustave Dore

Daniel - Gustave Dore
Daniel - Gustave Dore

Then, not to make them sadder, I kep down My spirit in stillness. (Canto XXXIII., lines 62-63) - Gustave Dore
Then, not to make them sadder, I kep down My spirit in stillness. (Canto XXXIII., lines 62-63) - Gustave Dore

The Flight Into Egypt - Gustave Dore
The Flight Into Egypt - Gustave Dore

The Angel At The Sepulcher - Gustave Dore
The Angel At The Sepulcher - Gustave Dore

Is there?is there balm in Gilead? - Gustave Dore
Is there?is there balm in Gilead? - Gustave Dore

The saintly creatures flying, (Canto XVIII., line 74) - Gustave Dore
The saintly creatures flying, (Canto XVIII., line 74) - Gustave Dore

Onward he moved, I close his steps pursued. (Canto I., line 132) - Gustave Dore
Onward he moved, I close his steps pursued. (Canto I., line 132) - Gustave Dore

How lustrous was thy semblance in those sparkles, (Canto XX., line 15) - Gustave Dore
How lustrous was thy semblance in those sparkles, (Canto XX., line 15) - Gustave Dore

Troupeau De Cerfs Dans Les Montagnes - Gustave Dore
Troupeau De Cerfs Dans Les Montagnes - Gustave Dore

The Deliverance Of St. Peter - Gustave Dore
The Deliverance Of St. Peter - Gustave Dore

I beheld myself, Sole with my lady, to more lofty bliss Translated (Canto XIV., lines 82-83) - Gustave Dore
I beheld myself, Sole with my lady, to more lofty bliss Translated (Canto XIV., lines 82-83) - Gustave Dore

The forgers noted on her dread record. (Canto XXIX., line 56) - Gustave Dore
The forgers noted on her dread record. (Canto XXIX., line 56) - Gustave Dore

They grappled him with more than hundred hooks. (Canto XXI., line 51) - Gustave Dore
They grappled him with more than hundred hooks. (Canto XXI., line 51) - Gustave Dore

The shadowy forms, That seem'd things dead and dead again, (Canto XXIV., lines 4-6) - Gustave Dore
The shadowy forms, That seem'd things dead and dead again, (Canto XXIV., lines 4-6) - Gustave Dore

An elegant company seated in a park, from the series depicting London society - Gustave Dore
An elegant company seated in a park, from the series depicting London society - Gustave Dore

Jephthah Met By His Daughter - Gustave Dore
Jephthah Met By His Daughter - Gustave Dore

"Why pluck'st thou me?" (Canto XIII., line 34) - Gustave Dore

Vue du chateau de Chillon - Gustave Dore
Vue du chateau de Chillon - Gustave Dore

We through the broken rock ascended, (Canto IV., line 33) - Gustave Dore
We through the broken rock ascended, (Canto IV., line 33) - Gustave Dore

Heliodorus Punished In The Temple - Gustave Dore
Heliodorus Punished In The Temple - Gustave Dore

Then, fasting got The mastery of grief. (Canto XXXIII., lines 73-74) - Gustave Dore
Then, fasting got The mastery of grief. (Canto XXXIII., lines 73-74) - Gustave Dore

Daniel Confounding The Priests - Gustave Dore
Daniel Confounding The Priests - Gustave Dore



Displaying Page 10 of 12  First Prev  2  3  4  5  6  7  8  9  10  11  12  Next Last  287 paintings

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Paintings of the day

The Grand Lord, in his seraglio with the Kislar Agassi, 18th century - Philippe Simonneau
The Grand Lord, in his seraglio with the Kislar Agassi, 18th century - Philippe Simonneau
A Lady Playing The Lute And A Gentleman With A Viola Da Gamba - Adriaen Van Der Werff
A Lady Playing The Lute And A Gentleman With A Viola Da Gamba - Adriaen Van Der Werff
A River Landscape With Figures Loading A Barge In The Foreground - Italian School
A River Landscape With Figures Loading A Barge In The Foreground - Italian School
An Interior With Cavaliers Preparing For Battle - (after) Willem Cornelisz. Duyster
An Interior With Cavaliers Preparing For Battle - (after) Willem Cornelisz. Duyster
London Bridge With St Paul's Cathedral Beyond - Frederick E.J. Goff
London Bridge With St Paul's Cathedral Beyond - Frederick E.J. Goff
A King With His Courtiers Worshipping Before A Statue - (after) Sir Peter Paul Rubens
A King With His Courtiers Worshipping Before A Statue - (after) Sir Peter Paul Rubens
John Lewis 1590-1653 Count of Nassau Hadamar - (after) Hulle, Anselmus van
John Lewis 1590-1653 Count of Nassau Hadamar - (after) Hulle, Anselmus van
A lobster on a ceramic dish - (after) Sebastien Stoskopff
A lobster on a ceramic dish - (after) Sebastien Stoskopff
Scene Galante - Giovanni Boldini
Scene Galante - Giovanni Boldini
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Art News

Call for Artists: Paris/Berlin International Meetings - roARatorio, Paris FR France
Call for Artists: Residencies Available in South India - Art Residencies India, London UK United Kingdom
Call for Artist: Seeking New Studio Artists - Binney and Smith Gallery, Banana Factory, Bethlehem, PA, USA United States of America
Carole Estrup: The secret life of a BAREFOOT GIRL OUT OF OHIO - iUniverse, Lincoln, NE, USA United States of America
Vladimir Baranoff-Rossine: Colour-Musical Kinetism - State Russian Museum, St. Petersburg RU Russian Federation
Thomas Roese, Paintings - Ohio Art League, Columbus, OH, USA United States of America
Call for Artists: War, Madness, and Delusion - Meetinghouse, Andover Newton Theological School, Newton, MA, USA United States of America
Michelle Molyneux: Would you recognize your soul if you saw it - MVSpace, London UK United Kingdom
renew the linoleum - Ibis Art Centre, Nieu-Bethesda ZA South Africa
Mark Wallinger: Credo - Tate Liverpool, Liverpool UK United Kingdom
SHAPED WITH A PASSION: The Carl A. Weyerhaeuser Collection of Japanese Ceramics from the 1970s - Dayton Art Institute, Dayton, OH, USA

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